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Tag Archives: Pave Program in Arts Entrepreneurship
Framing Connections: Arts Entrepreneurship, Critical Response Process, and Creative Placemaking
As convener/host of the Fifth Biennial Pave Symposium on Entrepreneurship and the Arts: Arts Entrepreneurship In, With, and For Communities, I used my opening remarks to draw connections between arts entrepreneurship, Critical Response Process, and creative placemaking, all of which … Continue reading
Posted in Arts entrepreneurship, arts infrastructure, Arts policy, Culture and democracy, Higher education, Institutional Infrastructure
Tagged Aesthetic Frameworks, arts entrepreneurship, business model canvas, Carlton Turner, Creative Placemaking, Herberger Institute for Design and the Arts, Kresge Foundation, Liz lerman, National Endowment for the Arts, Pave Biennial Symposium, Pave Program in Arts Entrepreneurship, Roberto Bedoya
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Multiple Points of Entry and Exit
In the past several weeks, I have found myself using the phrase “multiple points of entry,” to describe different aspects of our programming: at meetings with ASU Enterprise and Innovation; with alumni; at our recent Herberger Institute Student IDEA Showcase; … Continue reading
Showcase, Not Competition
The Herberger Institute Office of Enterprise and Entrepreneurship Programs, which I direct, just hosted its First Annual Herberger Institute Student Idea Showcase. It was a great event, with 18 students pitching ideas for everything from an app that reminds you … Continue reading
Networking redux: Pattern recognition
I was reviewing a 2006 article on pattern recognition and entrepreneurship[1] in preparation for my undergraduate seminar, when this passage jumped off the page: …the findings of several studies indicate that the broader entrepreneurs’ social networks (the more people they … Continue reading
Networks and Entrepreneurship
As my students this week revisited their inventory of means (who they are, what they know, who they know) in the context of the specific enterprise ideas they are developing, I was struck by how much they focused on the … Continue reading
Begin with the Middle in Mind
I was recently turned on to David Grant’s “Social Profit Handbook” by the arts program director at the Tremaine Foundation, which supports some of the research we’re doing in field-based arts business training. The premise is deceptively simple, an organization … Continue reading
My First AFTA
I recently attended the Americans for the Arts (AFTA) Annual Convention for the first time. Unlike the AIMAC conference (International Association of Arts and Culture Management) I will be attending next week, AFTA is not academically oriented. It also is … Continue reading
Posted in Arts entrepreneurship, arts infrastructure, Arts policy, Culture and democracy
Tagged AFTA, AIMAC, Americans for the Arts, Assets for Artists, Beth Flowers, Carla Dirlikov, Pave program, Pave Program in Arts Entrepreneurship, Revolve Detroit, Spaceworks Tacoma, Springboard for the Arts, Theaster Gates
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+, Δ
Plus/Delta is a popular format for formative evaluation and organizational learning. What are we doing well (the “plus)? And what should we change (the “delta”)? Used summatively, the questions are similar: What went well? What should we change for next … Continue reading
Posted in Arts entrepreneurship, arts infrastructure, Culture and democracy, Higher education
Tagged Arizona Commission on the Arts, Biennial symposium, Creative Capital, diane ragsdale, Pave program, Pave Program in Arts Entrepreneurship, Phoenix Office of arts and culture, Ruby Lerner
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