-
Recent Posts
Recent Comments
Archives
- August 2022
- April 2022
- December 2021
- October 2021
- April 2021
- February 2021
- January 2021
- December 2020
- October 2020
- September 2020
- June 2020
- May 2020
- April 2020
- February 2020
- December 2019
- November 2019
- September 2019
- August 2019
- July 2019
- June 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- September 2018
- August 2018
- July 2018
- May 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
Categories
Meta
Tag Archives: Carlton Turner
2021 becomes 2022
It has become my annual ritual for the past 11 years to write a New Year’s Eve blog post, celebrating the launch of Creative Infrastructure on December 31, 2010. But let’s face it – blogs are so last decade…or maybe … Continue reading
Posted in Arts entrepreneurship, arts infrastructure, Culture and democracy, Higher education, Institutional Infrastructure, Personal infrastructure
Tagged Adrienne Callander, Alexandre Frenette, Beth Ames Swartz, Bill Covino, blogging, Bob Booker, Bronwyn Mauldin, Carlton Turner, Carter Gilles, Clifton Taylor, creative infrastructure, daniel bernard roumain, Danielle Brazell, diane ragsdale, E. Andrew Taylor, Emily Hall Tremaine Foundation, Esther Robinson, Glenn Wade, Gordon Shockley, Gregory Sale, Heather Pontonio, Ian David Moss, Intellect Books, Jacob Meders, Jaime Dempsey, Jamie Bennett, Jason White, Jennifer Cole, Joanna Guevara, John Borstel, Jonathan Gangi, Jose Gomez, Jose Luis Alvarado, Kiley Arroyo, Kim Abeles, Laura Zabel, Lauren Pacheco, Laurie Baefsky, Liz lerman, Lynn Mahoney, Margaret Wyszomirski, Mark Rabideau, Michael Rohd, Mollie Flanagan, Neville Vakharia, Ouroboros, Paul Bonin- Rodriguez, Porsche McGovern, Rey Sepulveda, Ruby Lopez Harper, Sarah Sullivan, Scott Waters, Shelley Cohn, Tatiana Vahan, Tim Miller, Tim Mitchell), Tom Catlaw, William Powhida, Woong- Jo Chang, Xanthia Walker
Leave a comment
Framing Connections: Arts Entrepreneurship, Critical Response Process, and Creative Placemaking
As convener/host of the Fifth Biennial Pave Symposium on Entrepreneurship and the Arts: Arts Entrepreneurship In, With, and For Communities, I used my opening remarks to draw connections between arts entrepreneurship, Critical Response Process, and creative placemaking, all of which … Continue reading
Posted in Arts entrepreneurship, arts infrastructure, Arts policy, Culture and democracy, Higher education, Institutional Infrastructure
Tagged Aesthetic Frameworks, arts entrepreneurship, business model canvas, Carlton Turner, Creative Placemaking, Herberger Institute for Design and the Arts, Kresge Foundation, Liz lerman, National Endowment for the Arts, Pave Biennial Symposium, Pave Program in Arts Entrepreneurship, Roberto Bedoya
3 Comments
Creative Infrastructure 