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Tag Archives: Beth Ames Swartz
2021 becomes 2022
It has become my annual ritual for the past 11 years to write a New Year’s Eve blog post, celebrating the launch of Creative Infrastructure on December 31, 2010. But let’s face it – blogs are so last decade…or maybe … Continue reading
Posted in Arts entrepreneurship, arts infrastructure, Culture and democracy, Higher education, Institutional Infrastructure, Personal infrastructure
Tagged Adrienne Callander, Alexandre Frenette, Beth Ames Swartz, Bill Covino, blogging, Bob Booker, Bronwyn Mauldin, Carlton Turner, Carter Gilles, Clifton Taylor, creative infrastructure, daniel bernard roumain, Danielle Brazell, diane ragsdale, E. Andrew Taylor, Emily Hall Tremaine Foundation, Esther Robinson, Glenn Wade, Gordon Shockley, Gregory Sale, Heather Pontonio, Ian David Moss, Intellect Books, Jacob Meders, Jaime Dempsey, Jamie Bennett, Jason White, Jennifer Cole, Joanna Guevara, John Borstel, Jonathan Gangi, Jose Gomez, Jose Luis Alvarado, Kiley Arroyo, Kim Abeles, Laura Zabel, Lauren Pacheco, Laurie Baefsky, Liz lerman, Lynn Mahoney, Margaret Wyszomirski, Mark Rabideau, Michael Rohd, Mollie Flanagan, Neville Vakharia, Ouroboros, Paul Bonin- Rodriguez, Porsche McGovern, Rey Sepulveda, Ruby Lopez Harper, Sarah Sullivan, Scott Waters, Shelley Cohn, Tatiana Vahan, Tim Miller, Tim Mitchell), Tom Catlaw, William Powhida, Woong- Jo Chang, Xanthia Walker
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Real Estate
All too often, artists who are attentive to the “business” of their creative practice are accused of “selling out.” But for many working artists, that attention to business–to revenue generation, asset accrual, the arts economy—is what enables an artist to … Continue reading
Creative Infrastructure 