Category Archives: Arts entrepreneurship

Art, Entrepreneurship, Innovation

I’m finally catching up on some of the background reading I need to do for An Ouroboros, including a 2014 working paper by Laura Niemi that demonstrates that an interest in the visual arts is predictive of occupational innovation (as … Continue reading

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Universal Basic Income

News that Scotland is considering implementing a universal basic income (UBI) scheme came just as I was finishing reading Ryan Avent’s excellent The Wealth of Humans . as background for my sabbatical project. Avent is a proponent of UBI, while also recognizing … Continue reading

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Entrepreneurship Beyond “Market?”

Matthew Clinton Sekellik deserves a more considered response to his recent Howlround post, “Against Entrepreneurship,” than I provided in a brief (and admittedly slapdash) comment on it. Because I get it, I really do. “Entrepreneurship” seems in many contexts to … Continue reading

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A Creative Enterprise Strategy Model

I’m currently teaching a new course titled “Strategy: Opportunity Recognition in the Creative and Cultural Industries” as part of the Curb MA in Creative Enterprise and Cultural Leadership. My concept of strategy may be different than a business school conception … Continue reading

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What Does it all Mean?

Definitional problems still persist in the teaching and learning arts entrepreneurship. Each year, I ask students what “entrepreneurship” means to them and then, after a short lecture and reading material by Andrew Simonet, David Cutler, and Aaron Dworkin, ask: “What … Continue reading

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ENCATC Teaser

I’m presenting a paper next week at the European Network of Cultural Management Conference (ENCATC) entitled “Same or Different? The ‘Cultural Entrepreneurship’ and ‘Arts Entrepreneurship’ Constructs in European and US Higher Education.” Here’s a teaser: “Arts Entrepreneurship” is beginning to … Continue reading

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Return

Creative Infrastructure is back, recharged, with a new look and a renewed focus on “thoughts and ideas about infrastructure for the arts.” Infrastructure for the arts is physical (the art studio, the rehearsal room), institutional (organizations, norms, systems), and personal … Continue reading

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