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Monthly Archives: August 2013
Another One Bites the Dust
Make that two….or maybe three. This week brought news of the closures of Shakespeare Santa Cruz at the end of the calendar year and Coeur d’Alene Summer Theatre at the end of its current season. Dance New Amsterdam (DNA), which … Continue reading
“Arts Groups Struggle to Stay Relevant”
“Arts Groups Struggle to Stay Relevant,” is the title of a recent column by Kerry Lengel, theatre critic for the Arizona Republic. In it, he summarizes the challenges facing the arts and culture community of the region due to significant … Continue reading
Let the Kid Dance!
Several semesters ago, a discussion with my arts entrepreneurship students about barriers to market entry turned into a discussion about barriers to audiences – physical barriers. I commented that the fixed seating in a new performing arts facility with a … Continue reading
Posted in Uncategorized
6 Comments
Symposium Magazine
[If you are looking for my piece refuting Peter Singer’s either/or philosophy of philanthopy, click here] “The academy,” “higher education,” “the university,” is stereotypically characterized as an “ivory tower” in which faculty in obscure subdisciplines of the sciences, arts, and … Continue reading
Either/Or or And
“Opportunity cost” is a basic concept in economics in which one considers the cost of doing one thing as the cost of not-doing something else. It involves a binary decision: if I do X, I do not do Y. This … Continue reading
Posted in Arts funding, Culture and democracy
Tagged Charity, giving, Museums, opportunity cost, Peter Singer, Philanthropy, Trachoma
13 Comments
Follow-up on Nonprofit/Commercial Coexistence
In a post in June, I suggested that Commercial productions that benefit from nonprofit development pay a certain amount of after-cost profit into a fund, perhaps administered by an organization like Creative Capital or Doris Duke or even an agency … Continue reading
Opportunity is Knocking
Bill DeWalt, former (and founding) director of the Musical Instrument Museum, wrote an op-ed piece in the Arizona Republic that delineates the challenges faced by the new arts leaders coming in to replace not only him, but also the leaders … Continue reading