Last fall, in response to some blogosphere noise asserting that there was no such thing as arts entrepreneurship, I posted some of my students’ articulations of the construct as written on a course discussion board. This semester, students are reading Andrew Simonet’s downloadable eBook, Making Your Life as an Artist, and for this first assignment, Barry Hessenius’s interview of Aaron Dworkin, a selection from David Cutler’s The Savvy Musician, and a short blog post from Kimberly Bryant on practical thinking for arts entrepreneurs. We spent the first two class sections getting to know oneanother and discussing arts entrepreneurship as an ACTION, an action that positions the artist in relation to society.
The first discussion prompt for the semester reads: “In our first week, we discussed entrepreneurship as an ACTION. In the first set of readings, Aaron Dworkin serves as an example of a cultural entrepreneur and Andrew Simonet talks about the artist’s “sacred responsibility” to culture. Drawing on these two concepts and the other reading for this week, describe what it means TO YOU to be an ‘arts entrepreneur.'”
Here are just a few of their responses.
- Being an arts entrepreneur means that you have an eye for beauty, you are willing to take risks, have the passion to continue doing what it is you love despite any ‘starving artist’ cliché, and the confidence to do whatever it takes to make your craft into a sustainable career path.
- I think that it’s the artistic entrepreneurs who lead the forefront of contemporary art and culture because they are the ones who strive to do something different. However as the years go by and technology increases, the line between ‘art’ and ‘science’ begins to fade in some contexts and we start to see artistic innovations to serious problems.
- As arts entrepreneurs we have a much more direct relationship with our auidence than a traditional artist. The traditional artist is free to exspress themselves in isolation; whilst an arts entrepreneur can derivive ideas from self-exspression, self-exspression for its own sake is not their goal. Rather they must find ways to relate their own creative endeavors in such away that they can benifit both themselves and others.
- To me, an “arts entreprenuer” is someone who creates for them as much as they do for others. When met with failure, an arts entrepenuer learns from this and tweaks their approach, hopeful for success. An arts entrepenuer is bound to be met with adversity time and time again, it’s how he/she reacts to it that makes the likeliness of success a greater or lesser possibility in their future.
- Unlike an established business that sets the pace of the market an entrepreneur has to latch onto the pace of the market while trying to disrupt it. This takes action, an entrepreneur does not go into the market doing what has already been done or else they would not be an entrepreneur to begin with. Having a passion for what you are doing is the right type of entrepreneur and is neccessary to survive through the challenges that will occur. A passionless venture is not a legacy that an entrepreneur should leave behind. Being open to outside influence is also important for a start-up because they will need some help along the way, friends can be made and relieve the burden of taking on a project alone. Lastly, an arts entrepreneur should not go into the venture with the expectation of living a carefree life. Although the consumption of arts increases the quality of life for its consumers the production of arts and stimulation of a demand for arts is not a carefree way of life and is a culmination of hard work.
- Andrew Simonet’s correlation between the scientific method and the artistic process broke down an a person’s artistic endeavors well. Aaron Dworkin’s viewpoints on an entrepenuer’s positioning within the arts world made me realize just how important it is to have the right mindset in order to be not only a relevant company (or whatever your art may be) but also a profitable company. The subject of failure was brought up quite frequently in the week’s readings. The topic of failure was basically tackled the same way, in order for any type of success to be found, failure has to be met first. Failure is a necessity. I’ve noticed that for some reason, when seeing another’s success, it is generally pictured as something met with not much struggle. In reality, anything in history that has had success, is due to its prior failures.To me, an “arts entreprenuer” is someone who creates for them as much as they do for others. When met with failure, an arts entrepenuer learns from this and tweaks their approach, hopeful for success. An arts entrepenuer is bound to be met with adversity time and time again, it’s how he/she reacts to it that makes the likeliness of success a greater or lesser possibility in their future.