Category Archives: Arts policy

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Posted on February 8, 2019 by lindaessig

The following has been previously published as a chapter in Theatre, Performance and Change edited by Stephani Etheridge Woodson and Tamara Underiner (Palgrave, 2018). Now that a year has passed since the publication of the book, I am happy to share … Continue reading →

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Reconnecting in Repurposed Buildings

Posted on January 12, 2019 by lindaessig

One of the great advantages of “maturing” is that along the way, one’s circle of acquaintances and friends expands and grows to include people near and far. Sometimes, someone you meet through a friend relocates and then you relocate, and … Continue reading →

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#LaborDay Reflection

Posted on September 3, 2018 by lindaessig

In 1985, I walked into Pace University, a light plot and section for Cat on a Hot Tin Roof under one arm and an opera score under the other. I waited all day for my turn – I was last … Continue reading →

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Top 5 Creative Infrastructure Posts of 2017

Posted on December 28, 2017 by lindaessig

#1. For the second year in a row, a short piece defining arts incubators was the most popular post on Creative Infrastructure. I first posted “What is an ‘Arts Incubator’?” in 2013 early in my research on the topic, but … Continue reading →

Posted in Arts entrepreneurship, arts infrastructure, Arts management, Arts policy, Culture and democracy, Institutional Infrastructure, Personal infrastructure, Physical Infrastructure | Tagged , , , , , , , , , , , | 1 Comment

Revised Book Proposal

Posted on November 21, 2017 by lindaessig

[Now that I’ve written over a third of the book I’ve been working on, I’ve revised the proposal for submission to publishers, and share it here.] Book Proposal: An Ouroboros: Art, Money, and Entrepreneurial Action     Description:     … Continue reading →

Posted in Arts entrepreneurship, arts infrastructure, Arts policy, Institutional Infrastructure, Personal infrastructure | Tagged , , , , , | 12 Comments

Pay Artists!

Posted on September 12, 2017 by lindaessig

I recently attended the “Artists Thr!ve Summit” hosted by the Emily Hall Tremaine Foundation. Artists Thr!ve is a rubric, a tool, to help organizations in the arts services sector determine if and to what extent their work supports artists: do … Continue reading →

Posted in Arts entrepreneurship, Arts funding, arts infrastructure, Arts policy, Culture and democracy, Institutional Infrastructure, Physical Infrastructure | Tagged , , , , | 2 Comments

A Humane Framework for Assessment

Posted on July 24, 2017 by lindaessig

NOTE: This post was written for Animating Democracy’s Excellence and Equity in Arts for Change Blog Salon July 24-28, 2017. You can also find it there. I was honored that Animating Democracy chose to debut the new Aesthetic Perspectives: Attributes of Excellence in … Continue reading →

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Framing Connections: Arts Entrepreneurship, Critical Response Process, and Creative Placemaking

Posted on June 21, 2017 by lindaessig

As convener/host of the Fifth Biennial Pave Symposium on Entrepreneurship and the Arts: Arts Entrepreneurship In, With, and For Communities, I used my opening remarks to draw connections between arts entrepreneurship, Critical Response Process, and creative placemaking, all of which … Continue reading →

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Polanyi and Wallace and Soup, Oh My!

Posted on June 11, 2017 by lindaessig

[Tracking some recent reading] One of the greatest gifts I received from my education in policy studies is the understanding that every issue has more than one side and that it is possible, and sometimes necessary, to hold different perspectives … Continue reading →

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New Article in Cultural Trends

Posted on May 22, 2017 by lindaessig

Same or different? The “cultural entrepreneurship” and “arts entrepreneurship” constructs in European and US higher education …is an article I wrote just ahead of print in Cultural Trends. It uses data gathered by graduate research assistant Joanna Guevara as a part of a … Continue reading →

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