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Category Archives: Arts policy
Place and Income Inequality
In the research I was doing today around place-based or geographic idiosyncrasies of local arts economies, I came across an interesting 2005 paper by Mark Stern published as part of the Dynamics of Culture series by the Social Impact of … Continue reading
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The following has been previously published as a chapter in Theatre, Performance and Change edited by Stephani Etheridge Woodson and Tamara Underiner (Palgrave, 2018). Now that a year has passed since the publication of the book, I am happy to share … Continue reading
Reconnecting in Repurposed Buildings
One of the great advantages of “maturing” is that along the way, one’s circle of acquaintances and friends expands and grows to include people near and far. Sometimes, someone you meet through a friend relocates and then you relocate, and … Continue reading
Posted in arts infrastructure, Arts policy, Culture and democracy, Institutional Infrastructure, Physical Infrastructure
Tagged 18th Street Arts Center, Arlington Arts, arts incubators, Bergamot Station, Intersection for the Arts, Might Tieton, Santa Monica, Santa Monica Cultural Affairs, Santa Monica Studios, Shannon Daut
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#LaborDay Reflection
In 1985, I walked into Pace University, a light plot and section for Cat on a Hot Tin Roof under one arm and an opera score under the other. I waited all day for my turn – I was last … Continue reading
Top 5 Creative Infrastructure Posts of 2017
#1. For the second year in a row, a short piece defining arts incubators was the most popular post on Creative Infrastructure. I first posted “What is an ‘Arts Incubator’?” in 2013 early in my research on the topic, but … Continue reading
Posted in Arts entrepreneurship, arts infrastructure, Arts management, Arts policy, Culture and democracy, Institutional Infrastructure, Personal infrastructure, Physical Infrastructure
Tagged #MeToo, 2017, arts and culture sector, arts incubators, blogging, consulting, Internships, La La Land, Means and ends, New Year, Ouroboros, Sexual harassment
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Revised Book Proposal
[Now that I’ve written over a third of the book I’ve been working on, I’ve revised the proposal for submission to publishers, and share it here.] Book Proposal: An Ouroboros: Art, Money, and Entrepreneurial Action Description: … Continue reading
Pay Artists!
I recently attended the “Artists Thr!ve Summit” hosted by the Emily Hall Tremaine Foundation. Artists Thr!ve is a rubric, a tool, to help organizations in the arts services sector determine if and to what extent their work supports artists: do … Continue reading
A Humane Framework for Assessment
NOTE: This post was written for Animating Democracy’s Excellence and Equity in Arts for Change Blog Salon July 24-28, 2017. You can also find it there. I was honored that Animating Democracy chose to debut the new Aesthetic Perspectives: Attributes of Excellence in … Continue reading
Framing Connections: Arts Entrepreneurship, Critical Response Process, and Creative Placemaking
As convener/host of the Fifth Biennial Pave Symposium on Entrepreneurship and the Arts: Arts Entrepreneurship In, With, and For Communities, I used my opening remarks to draw connections between arts entrepreneurship, Critical Response Process, and creative placemaking, all of which … Continue reading
Posted in Arts entrepreneurship, arts infrastructure, Arts policy, Culture and democracy, Higher education, Institutional Infrastructure
Tagged Aesthetic Frameworks, arts entrepreneurship, business model canvas, Carlton Turner, Creative Placemaking, Herberger Institute for Design and the Arts, Kresge Foundation, Liz lerman, National Endowment for the Arts, Pave Biennial Symposium, Pave Program in Arts Entrepreneurship, Roberto Bedoya
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Polanyi and Wallace and Soup, Oh My!
[Tracking some recent reading] One of the greatest gifts I received from my education in policy studies is the understanding that every issue has more than one side and that it is possible, and sometimes necessary, to hold different perspectives … Continue reading