About Linda

Linda Essig directs ASU’s arts entrepreneurship program, Pave. She was the founding director of the School of Theatre and Film in the Herberger Institute for Design and the Arts at Arizona State University where she also served as Artistic Director of the school’s MainStage Season from 2004–2010. She previously served as Director of University Theatre and chair of Theatre & Drama at University of Wisconsin-Madison.  In 2012, Pave launched  Artivate: A Journal of Entrepreneurship in the Arts, the first-ever research journal in the field.  Her articles have been published there as well as in Entreprenuership Research Journal, Theatre Topics, Symposium Magazine, Theatre Design and Technologyand elsewhere.  A professional lighting designer as well as a scholar and arts consultant, Essig’s design for the ASU production of Suzan–Lori Parks’s “Venus” was part of the USA National Exhibit of theatrical design at the Prague Quadrennial in 2007. In addition to her designs for academic theatre, Essig has designed lighting for theatres throughout the country including Cleveland Playhouse, Milwaukee Rep, Missouri Rep, Utah Shakespearean Festival, Skylight Opera, La Mama ETC, Pioneer Theatre, and others.  She is the author of numerous articles and book chapters on both arts entrepreneurship and lighting, and two books: Lighting and the Design Idea and The Speed of Light: Dialogues on Lighting Design and Technological Change. At ASU, Essig teaches courses in Arts Entrepreneurship, Arts Management, and Arts Policy. You can download her full CV: Essig CV 14.  The opinions expressed on Creative Infrastructure are her own and not those of ASU or its programs.

Linda started this blog to share her thoughts on arts entrepreneurship, arts education, and arts policy, three aspects of the creative infrastructure needed for the arts to flourish. You can follow her on twitter @LindaInPhoenix   The site is a work in progress as is all it’s content, so come back and visit again!

5 Responses to About Linda

  1. myersbowman says:

    Linda,
    I’m doing a bit of research about the LC3 designation and stumbled onto your site and post about the topic. Any recent developments? I’m managing a new arts startup and trying to determine the best structure as we grow. Thanks.

    Clay Myers-Bowman
    Managing Director
    The Arctic Cycle
    http://www.ArcticCycle.org

    • lindaessig says:

      Clay: I’m not an attorney, and you will want to consult one in your state if you’re thinking of incorporating as an L3C. Although there was a lot of hype about the form at first, there doesn’t seem to be any evidence from the field that there are advantages for small arts organizations to incorporating as an L3C versus an LLC. My state (AZ) approved enabling legislation for B-corps last spring. It will be interesting to see if that form proves useful.

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